LUKE CHARD MAPLE
NAM Live plays the latest, most accurate NAM A2 captures — right on
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NAM Live plays the latest, most accurate NAM A2 captures — right on
your phone, iPad and macOS. Plug in through an audio interface, load a
capture, dial in your effects and play. Build banks of presets for your set and
switch between them instantly.
A2 — THE NEW NAM
• Plays the latest Architecture 2 (A2) captures — the most accurate Neural Amp Model yet
• Also plays every standard .nam file
• Slim control on A2 models to trade CPU for quality if you need performance
• 3-band amp tone stack (Bass / Mid / Treble) with fluid tonestacks, bring a higher level of emulation to your NAM captures with circuit accurate tonestacks
• Tonestack Lab: shape the amp EQ with an interactive circuit editor that allows you to draw the circuit directly
• an ever-growing library of effects including delays, ambient and shimmer reverbs, pitch bending and even turn your guitar into a multi-voice synthesizer.
TONE3000 INTEGRATION
• Sign in with Tone3000 to search and download thousands of amp captures and IRs
• Browse captures with big artwork, description and author right in the app
• One tap auditions a tone on your rig; a double-tap loads it
• Your rig shows the capture's artwork
• Manage your downloaded amps and IRs in-app
• Organise your captures into folders
• Add your own .nam and .wav files from your device
SCENES — PRESETS WITHIN A PRESET
• Every preset holds multiple named, colour-coded scenes
• Each scene is an instant snapshot of your dials and bypasses — switch with no reload and no gap
• Double-tap a preset to jump to its second scene
• Hold a scene to rename, recolour, set or reset it
• Assign scenes to MIDI for hands-free switching
• The active scene tints your dials and backdrop so you always know where you are
CABINET & EFFECTS
• Load your own impulse responses (.wav), or search the community directory right inside the app
• A generous set of free effects, add as many as you like to the chain:
– Overdrive, distortion and fuzz: Maple Drive, The Rodent, Yellow Box, Memory Fuzz,
Royal Tone, Glory Days, Console 84, Octaver
– Delays: stereo Delay (tap tempo, note divisions, dotted/triplet, ping-pong),
Multi-tap, Diffuse, Dyna Delay, Reverse Delay and Grain
– Reverbs: atmospheric and lush Reverbs — includes convolution reverb with studio
spaces (Ambience / Chamber / Hall / Plate / Nonlinear impulses captured form a very well-revered hardware unit)
– Modulation: Chorus, Phaser, Tremolo, Harmonic Trem and Micro Shift
– Pitch: Octaver, Pitch Drop (polyphonic octave/interval drop), Poly Octave and Whammy
– Auto Swell: automatic volume swells for bowed-string and pad textures
– True-stereo Looper: record, overdub and play loops with reverse and half-speed
– Compressor, Noise Gate Pro to kill hiss and hum between notes
Flexible routing for True stereo rigs
Global output EQ with an interactive curve
PRESETS, BUILT FOR THE STAGE
• Banks of five presets (A–E), as many banks as you need
• Each preset stores your amp, cab, EQ, effects and its scenes
• Copy, paste, rename and reorganise presets
• Browse banks live and tap to switch
• Landscape view with bigger preset buttons + bank up/down for fast switching
• Gapless switching of presets in a bank
• Amp and pedal bypass right on the rig and live views
TUNER
• Full built-in chromatic tuner so you're always ready
• Mute while you tune
• Adjust the reference pitch with simple up and down buttons
METRONOME
• Built-in metronome to keep you locked in while you practise or play
• Big draggable BPM with tempo name, plus Tap Tempo to set the pulse by feel
• Time signatures and subdivisions (eighths, triplets, sixteenths)
• Accent the downbeat and set the click volume to taste
BUILT FOR LIVE USE
• Works with class-compliant audio interfaces
• Bluetooth MIDI support for foot controllers (map presets, scenes and stomps)
• Keeps processing in the background so you can switch to setlists or lyrics
• Standalone app + AUv3 plug-in for your favourite host
Respuestas rápidas basadas en los últimos datos observados de la App Store.
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