Laney - Digbeth Bass Plugin

Laney Digbeth

A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound.

What’s inside

- Stomp section with 4 pedals with adjustable processing order.

- Cab section with 3 Laney cabs and an array of mic options.

- Output section with full 10-band graphic EQ and a limiter.

- Full parallel processing with adjustable section order.

- FX section (EQ, maximizer, and 2 limiters).

- FET / TUBE preamp channels (mixable).

- Bass dynamics section with sidechain.

- 3-band EQ with 4 mid-band modes.

- Mammoth processing section.

Stomp Section

Three pedals from Black Country Customs:

- The 85 Bass-interval a bass octave pedal with two parallel octaver modes.

- The Custard Factory bass compressor pedal with three modes.

- Blackheath distortion pedal with 2 distortion modes and an overdrive.

Fourth pedal is addition from Aurora DSP:

- Gamma Burst Bass-tortion three channels of drive with various characters.

The Amp

Digital recreation of the legendary 500 watt Digbeth bass head, with all its features:

- FET / TUBE preamp channels with option to mix both of them.

- 3-band EQ with 4 mid-band modes for different characteristics.

- TILT "EQ Seesaw" knob for an all-around tonal adjustment.

Cab section

- Four mics to choose from, for diverse tonal characters.

- Tone mixer for sound shaping and balancing.

- External IR loader.

- Three powerful and dynamic Laney cab models: 
-DBV212-4 
-DBV410-4 
-DBV810-4

FX rack

Signal chain designed specifically for bass guitars, combining top-tier analog modeling and digital processing to deliver a powerful, punchy, and refined bass sound. This rack is built with the following iconic modules:

- 10-band EQ

A classic graphic EQ, with 10 bands of +/- 12dB gain, proportional Q and VU meters. Enhanced with an additional drive module for vintage saturation.

- Sonic optimizer

An advanced signal processor for adjusting the character of the sound. Useful for improving the low-end definition, adding some high-end clarity, as well as adjusting the overall feel.

- Limiting amplifier

Based on a legendary FET compressor/limiter known for its fast attack times and transparent compression widely used in studios for bass to achieve punchy and smooth dynamics.

- Leveling amplifier

Modeled after an optical tube-based compressor with a warm, smooth character. With a slow attack and release, it's a favorite for bass processing, due to its natural-sounding compression.

BASS DYNAMICS

- An adjustable compressor with a filtered sidechain.

- "Placement" options for fitting the low-end better into the mix.

IN

- Crossover with 3 different modes and adjustable frequency (and an option to disable parallel processing completely).

- Low-cut and high-cut filtering.

OUT

- Bass/Treble mixer for controlling the levels after the parallel processing.

- Slam limiter for final dynamics adjustments.

- Full 10-band graphic EQ.

Additional features:

- Noise gate

- Tuner

- Metronome

- Built-in recorder for capturing riffs

- Cross-platform preset sharing

- Studio environment mode for headphones with control room simulation

Available in AUv3 and standalone